Nikesha Breeze’s A Mutiny of Morning reclaims African voices from the controversial novel.
Rachel Harris-Huffman
Rachel Harris-Huffman is an interdisciplinary artist and writer based in Albuquerque. New Mexico. She holds an MLitt in Art Writing from the Glasgow School of Art and a BFA in Painting & Drawing from Edinboro University of Pennsylvania. Her essays, articles, and criticism have been published in magazines and journals in the US and the UK.
For Barrow Parke, Systems Are the Medium
As with the composition of our world, each element is built one strand at a time before being interwoven into a cohesive whole.
Peter B. Jones Sculpts Truth to Power
The Onondaga artist has a propensity for cultural criticism — especially on the issues affecting Haudenosaunee and other Indigenous peoples, past and present.
The Stuff of a Sustainable Future
Marc-Anthony Polizzi’s installations are regional portraits commenting on contemporary consumer culture’s emphasis on the disposable.
Artists on Basketball and Its Discontents
Hoop Dreams: Basketball and Contemporary Art both celebrates and critiques a game that has grown into a global mega-industry.
The Overlooked Art of Route 66
Friends of the Orphan Signs sees abandoned roadside signs as a creative and educational opportunity, turning them into revitalized works of art.
Rick Rivet Evokes His Arctic Origin
The artist’s solo exhibition in Santa Fe transports viewers away from New Mexico’s adobe-clad chile-tinged capital city.
An Artist’s Memories of a Haunting Lake
Ode to the Lake Sacalaia is an investigation into the retracing of memory and mythology, as captured through photography.
Celebrating America’s Forgotten Black Cowboys
Outriders: Legacy of the Black Cowboy strives to correct the mainstream Western narrative of life on the range.
Modernism in Big Sky Country
Montana Modernists: Shifting Perceptions of Western Art details the work and careers of six post-World War II artists who called Montana home.
The Vivid Offerings of Mexican Papier-Mâché
La Cartonería Mexicana is drawn from traditional masks, sculptures, toys, and piñatas.
How Do We Embody Natural Spaces?
Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.