A new show seeks to restore a pair of modernist weavers to a place of prominence in British design history.

During the COVID-19 lockdowns, Perry turned boxes into templates for needlepointed artworks, reflecting an era narrowed to domestic spheres.

Tiny Treasures at the MFA Boston makes the case that miniatures need not be oversimplified or relegated to realms of the nostalgic and cute.

From cow-dung lamps to mushroom-based, architecturally sound bricks, Life Cycles investigates how design materials can work in tandem with nature.

Made from everyday materials, Lee’s sculptures feel approachable and familiar, reminiscent of home and imperfect human bodies.

Shakers mingle in this multimedia production at the New York Choral Society.

A new book and show at Cooper Hewitt introduces the artist’s vivid, textural world to a new generation.

Amber Cowan’s entrancing sculptures share the spotlight with antique objects, illuminating the history and enduring possibilities of American glass art.

In the wake of COVID-19's house-bound isolation, art materials and motifs derived from the home seem charged with new meaning and a searching sense of reinvention.

Each voice in This Long Thread intersects to reveal the collective chronicles, struggles, and triumphs of women of color in today’s craft landscape.

The artists in Mesh collectively delve into connections to land and to community, pushing back against colonizing forces, and reclaiming their own narratives and power.

Today, “Kitchen” and its themes of women’s work and thankless labor are as sharp and fresh as ever.

The World According to Sound’s listening series has breathed new life into stagnant stay-at-home days and given me a meditative tool for coping with ever creeping anxiety.

With the scarcity of human contact, crafting offers a tactile and sensory experience, a different type of touch and connection.

The American painter was a member of the legendary artist group Spiral and continues to make art every day in his studio in Santa Cruz.

Sometimes affection sprouts up in unexpected forms. Sometimes a core of graphite mixed with clay and encased in a tube of wood can surprise you. It hooked me, anyway.

“I’m an artist who prefers to paint things for people rather than for walls,” Neumann explained in 1971.

Weaving beyond the Bauhaus looks at the intersecting connections and relationships that took root at the Bauhaus’s weaving workshop and continue to unfurl today.

Featuring more than 350 objects spanning her career, the Anni Albers retrospective spotlights the pioneering artist’s lasting influence on modern art, design, and architecture.