In Brush of Insight, Yael Rice charts a Mughal “visual economy” thriving between the 16th and early 17th centuries in India.
Nageen Shaikh
Nageen Shaikh is an art historian and critic. She is most interested in production over ideation in South Asian art, early modern and contemporary art, artist studios, languages, and collaborations between art materials, design, and science. She may be found very sporadically on socials.
Can AI Be Better at Art History Than Us?
Artificial Intelligence may efficiently sort images but loses out to a humanistic approach.
Redefining Modern Art in the Muslim World
Though at times a puzzling read, artist Rasheed Araeen’s latest book critiques Western scholarship that ignores Islam’s influence on modern art.
How Are Pakistani Artists Grappling With the Climate Crisis?
Local artists invoke nostalgia, probe policymakers, and take aim at public perception to shift attitudes toward natural resources and waste management.
Bani Abidi’s Conflicted Ode to Karachi
The Artist Who lets readers peer into a postcolonial space through critical engagement and visuals designed to both educate and entertain.
The Evolving Nature of South Asian Bookmaking
A new publication contextualizes the historical and contemporary book traditions in South Asia.
Katy Hessel Kicks Men Out of the Western Art Canon
After reading The Story of Art Without Men, educators may aspire to redesign their art history surveys and syllabi — and trade some Picassos for Gegos.
How Did Early Modern European Craftspeople Pass On Their Knowledge?
A new book about object making critically examines a written history of working with materials.
A New Sourcebook of Indian Art
20th Century Indian Art: Modern, Post-Independence, Contemporary surveys the many distinct aspects of art in South Asia.
Inside the Wondrous Studios of Three Pakistani Artists
Contemporary artist studios in Karachi prioritize pragmatism; many resist a traditional understanding of spaces with singular purposes.
Aisha Khalid Examines Women’s Roles and Spirituality Through Textiles and Geometry
In her current retrospective viewers can see the beginning of an oeuvre that scrutinizes personal, social, and cultural issues such as prescribed societal norms associated with the female gender.
Shahzia Sikander Urges a Rethinking of Art History
Sikander’s first New York solo show in nine years includes a captivating range of paintings, mosaics, animations, and the artist’s first-ever sculpture.