The artist’s solo show is a lyrical investigation into the ways that textiles shaped the country during the 13th and 14th centuries.

The artist considers his own place in the complex history of landscape painting through canvases stretched imperfectly on wood from trees around his home.

Vicente Blanco’s quietly complex drawings depict disorienting, spellbinding scenes in which things are rarely what they initially seem.

With their exhibition of signs, Madrid collective Paco Graco has created a catalyst for conversations about the city's past, present, and future.

On the Reverse tells an alternative history of Western art by drawing attention to the rears of paintings.

The American artist-activist’s work resonates with a special sharpness these days, more than half a century after his death.

Though it’s teeming with big-name artists like Artemisia Gentileschi and Berthe Morisot, Frida Kahlo is the only woman of color in this Madrid exhibition.

Leo Lionni’s wide-ranging practice was kaleidoscopic and rooted in a strong sense of justice.

A century after his death, the Meadows Museum offers a rare opportunity to experience 26 of the artist’s luminous paintings of Spanish landscapes.

Abraham Ángel embodied a new type of homegrown Mexican artist who rejected past European traditions in favor of local influences like arte popular. 

Groundswell is a crucial reexamination of important but under-recognized artists working with the land.

In the 1990s, Cerámica Suro began to seek out artists, offering its facility as the site for experimental collaborations in clay.

Dyed garments were once treasured items whose colors could take significant time, long distances, and untold fortunes to produce.

A new book explores the many places the artist lived in and how they shaped how she made art.

A Curious Herbal, the first modern edition of Elizabeth Blackwell’s 18th-century botanical guide, grants her the recognition that she has long deserved.

Summoning Memories features artists of Chinese descent who negotiate the long legacy of Chinese calligraphy and ink painting through alternative approaches.

Nearly 50 years after Setsuko Mitsuhashi's early death, her legacy lives on and in the hearts of anyone who sees her art.

Whether she’s depicting herself or something else, the act of making a picture clearly brought Yuki Ogura a sense of completion and even joy.

A new exhibition and forthcoming book honor the overlooked 20th-century female artist.

Alys Tomlinson traveled between Sardinia, Sicily, and the islands of the Venetian lagoon to document traditional community festivals.

Stephen L. Starkman’s moving book about his encounter with mortality leaves a place for perseverance and hope.

A group show of women artists at The Contemporary Austin addresses the weight and urgency of the current political moment.

The pathbreaking artist recounts milestones in her life through letters she wrote to her mother.

A new book presents nearly 100 previously unseen photos from the artist’s influential, once-controversial body of work.

The Dallas Museum of Art’s retrospective of the artist is an opportunity to reframe the conversation about Wong and his work.

An exhibition at the University of Texas at Austin offers an alternative view of the nation through the lens of contemporary artists.

Extensively illustrated, Norman Rockwell: Drawings, 1911–1976 is the first book dedicated to the artist’s prolific but largely private drawing practice.

An exhibition at Blanton Museum of Art encapsulates the complicated ways in which Indigenous and European traditions cross-pollinated through textiles and accessories.

Can photographers capture the vitality of flowers compellingly, innovatively, and beautifully? A new book gives a resounding yes.

Larry Towell’s images reveal a little-seen, isolated world and raise questions about the unforgiving impact of tradition on families.

Three Women Artists: Expanding Abstract Expressionism in the American West uncovers the little-known stories of professional and creative gains in the region, and especially in the Texas Panhandle.

With deep-set eyes and sealed lips, an ovular, narrow face is pervasive in James Gilbert’s work.

Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.

The camera became the center of Chauncey Hare's life, and a tool for awakening his political consciousness.

In no small feat, Why I Make Art condenses artists’ multifaceted, meandering spoken stories into lively, relatable narratives that draw the reader in.

Thirty-seven years after the artist’s death, a new exhibition proves that Oppenheim’s furry teacup was just one of her many daring artistic statements.

Listening to Clay sheds light on how Japanese clay workers went from skilled production craftspeople to fine artists, transforming the country’s culture in the process.

Author Malcolm Russell's novel approach to history — finding it as it washes up on the riverbanks — makes the past seem very much alive.

The Bill Pickett Invitational Rodeo has helped validate and redefine the largely untold story of Black cowboys and cowgirls in the American West.

Bartolomé Esteban Murillo's deftly painted canvases are filled with earthy, convincing characters that even the most secular viewer will appreciate, if not relate to.

The Colombian artist’s first US retrospective is a meditation on memory and seeing.

A new exhibition at the Mexic-Arte Museum reveals the crucial but under-recognized role that the Chicano art movement played in Austin’s history and culture.

The Second Half: Forty Women Reveal Life After Fifty is a celebration of the strength and insight of women from across the world.

One of Red Star’s many strengths is her ability to examine both the past and what’s still to come.

Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.

Hutson's textured work honors and challenges his city across mediums in a long overdue exhibition.

By the time of his death in 1992, at age 49, Luigi Ghirri had taken some 2,000 pictures in Puglia, most of which have never been seen publicly.

A new biography looks at the largely forgotten architect who executed more than 700 building projects in California, including the Hearst Castle.

Medellín’s first museum retrospective is a thoughtful tribute to his lifelong pursuit of craft and sincere search for connection.

New York hasn’t just housed generations of artists; it’s also been their muse.