The artist explained that the sculptures in Seed “transform the nature of a hectic and scary city, in a sense, to a place that’s really safe.”
Rose B. Simpson
Rose B. Simpson’s Antidote to “Postcolonial Stress Disorder”
“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.
Rose B. Simpson Embeds Ancestral Histories in Clay
She has taken clay and used it to recall its ancestral roots in Pueblo culture and address the present history of postcolonial recovery and ongoing trauma.