The artist evokes a strong religious sensibility in his hybrid sculptures tempered by a welcome sense of humor.

Artworks will be attributed to both Dorothy Hepworth and Patricia Preece for the first time in a new exhibition.

Outi Pieski disrupts colonial narratives to instead embody the deep relationship between a landscape and its people.

Acts of Gathering challenges the disconnection between humans and the rhythms of the earth, interrogating the nature of food culture in a rapidly changing world.

He seeks to make visible the vast scale of the waste produced by digital technologies, which are also reaching obsolescence with increasing rapidity.

Her paintings were attempts to channel the Great Mother Goddess, manifested through composite landscapes made up of sacred sites and symbols.

The work on gender and ecology in RE/SISTERS at the Barbican suggests that it is time to re-examine and re-engage with ecofeminism. 

The Antiguan artist left behind 6,000 paintings and drawings, 600 sculptures, 2,000 photographs, and 50,000 pages of writings.

For artist Tamara Henderson, worms represent a link between life above and beneath the earth’s surface, transforming death and decay into rebirth and growth.

The exhibition Dear Earth elucidates a broad range of issues around climate change, but stops disappointingly short of a radical call to action. 

Land of Friends at BALTIC campaigns for the rights of watershed-dwelling peoples and rivers.

Schneemann's art actions laid bare the continuity between the female body, feminist writing, and sociopolitical acts of protest.

Inspired by Charles Babbage’s idea of air as “atmospheric memory,” In the Air considers air as a common space that belongs to and affects the whole of humanity.

Inspired by the journey made by the epic hero Homer’s Odyssey, a show at Villa Carmignac combines myth with contemporary issues.

Condorelli considers how our modes of seeing and reproducing images and environments might develop, questioning how we see — and how we might see differently.

The realities of women’s lives are conspicuously absent from the British Museum's Feminine Power, a show about the feminine.

With Paradise Camp, artist Yuki Kihara attempts to challenge and undermine colonial images of Sāmoa through a radical camp aesthetic.

In finding new ways to read and map landscapes, Tanoa Sasraku disrupts our expectations of the rural and opens up latent memories, mythologies, and energies.

The Soul Expanding Ocean at TBA21–Academy Ocean Space in Venice's Chiesa di San Lorenzo brings together two artists with different but complementary ways of engaging with oceanic histories and ecologies.

The Woven Child at London’s Hayward Gallery is a moving examination of Bourgeois's fabric sculptures, drawing out themes of motherhood, gender, identity, and trauma.

Far from empty wildernesses, the ancestral lands of the Sámi people in the European Arctic are ecologically diverse sites of culture, care, and collective endeavor.

Gisela McDaniel captures the voices and memories of her sitters and offers them the opportunity to narrate their own histories.

Anicka Yi's In Love with the World is an attempt to break down the distinctions we make between plants, animals, micro-organisms, and technology.

In Paul, Daisy Lafarge delicately unpacks the power plays and mind games of a toxic relationship, with an emphasis on society’s — and art’s — silencing of women.

Christine Borland looks at one of the oldest known forms of fabric in the world.

A corrective to the sculptor’s self-aggrandizing, The Making of Rodin draws attention to the hidden figures who made his work possible.

For the Montserrat-born artist, seeds are both a metaphor for and a physical continuation of the Afro-Caribbean diaspora.

Inspired by the farmers’ protests Rafael Pérez Evans witnessed as a child in Spain, the works in Handful draw attention to the deliberate wedges driven between producer and consumer.

As the Turner Prize-nominated duo Cooking Sections forcefully reveals, it’s not just salmon that are changing color due to harmful agricultural techniques.

Tomás Saraceno's retrospective exhibition at Palazzo Strozzi gives a closer look at the lives and creations of spiders to reveal how completely ecologies are entangled and spaces are shared with our nonhuman companions.

After the pandemic pushed back their exhibition, two curators teamed up to develop The Botanical Mind Online a new platform that makes effective use of parallels between plant communication and the internet.

Deliberately unsubtle, the central message of Vasconcelos’s work challenges the snobbery of the art world and champions the inclusion of women and outsiders.

Depictions of Living imagines itself as an act of protest, touching on both the microcosm of individual actions and the macrocosm of the Anthropocene.

Joy Labinjo’s intimate family portraits are based on her archive of photographs, as well as Instagram and Flickr, straddling online and offline worlds and forging links between past and present.

An exhibition at the Royal Academy suggests that technology is our main hope for a better future, generally ignoring the current discourse around natural climate solutions.

Now on view at Art Basel Miami Beach, sound artist Jana Winderen's The Art of Listening: Under Water draws listeners’ attention to the rich sonic landscapes of nature — and highlights how human activity might affect them.

The power of her work comes from its suggestion that specificity and universality, when it comes to identity and experience, are not mutually exclusive concepts, but often exist side by side.

Holly Hendry’s works offer an innovative view on the repurposing of materials in art, exploring how things usually considered to be trash can be recycled.

This exhibition, Antony Gormley returns repeatedly to the motif of the artist’s own body to explore the significance of differences in scale and the negative space around an artwork.

The curators of Olafur Eliasson: In Real Life have highlighted the the open-endedness of his practice by allowing the exhibition to spill out over the boundaries of the ticketed space into corridors, the terrace outside, and other places.

Artistic allusions to rising waters can be found across the Venice Biennale this year, and they strike home with a particular power given the ongoing destruction of the natural world.

Plastics have drastically altered our society and environment. A new book by Amanda Boetzkes looks at the material as an artistic medium and eco-cultural signifier.

A new exhibition at Amsterdam’s Van Gogh Museum brings together depictions of the natural world by Vincent van Gogh and David Hockney.

Artist Nancy Campbell's book The Library of Ice draws parallels between ecological breakdown and the loss of human culture.

In advance of her first retrospective outside the US, avant-garde artist Senga Nengudi discusses her emergence onto an international stage after a long career.