The drawings, taken from ledger books made by Native people imprisoned in the 19th century, were sold at auction in 2022 against tribal members' wishes.

She leaves behind a massive corpus of visually stunning works tackling race, gender, and social justice in the United States.

In the Luigi Zuccheri’s pastoral scenes, a menagerie of oversized creatures, plants, fruits, and vegetables dwarf the humans with whom they share the canvas. 

Art-world people love lobbing this low-hanging critical fruit at the exhibition. This year especially, the moniker is ill-fitting and glib.

Rendered in the Roman Third Style, the murals feature visual illusions mimicking altars painted on dark, monochromatic fields of color.

Americans in Paris at the Grey Art Museum highlights the vibrancy and openness of the Paris scene for Americans.

Ubiquitous imagery of aggressive, hypermasculine deities across India is a chilling tool of the Hindu right.

The Harlem Renaissance was a globally networked movement of sprawling self-determination energized by the new modalities of Black subjectivity.

Three of Hyperallergic’s writers talk about the journeys that took them from writing blog posts to publishing full-length books on the politics of memes, the battles over America's monuments, and forgotten World War II heroes.

How did the artist's massive “Clara-Clara” (1983) end up in the backyard of a former water treatment facility on the city’s outskirts?

Get your comic fix with moving, witty, poignant books by Ai Weiwei, Tessa Hulls, Julia Wertz, Mattie Lubchansky, and more.

This month: Audrey Flack, Sonya Clark, Raven Chacon, Mike Olin, and more.

The German media praised the move, accusing several international bodies of water of antisemitism.

Members of the Israeli embassy reportedly mistook news of a new local hummus restaurant as plans for an attack by “Hamas” at the international art gathering.

Thirty years after its founding, the Pittsburgh institution still hasn’t defined a role for itself.

If there’s a lesson from the Godzilla anthology, it’s that Asian-American art is deeply complex, much like the many manifestations of Godzilla the monster.

An exhibition at the Palazzo Ducale in Genova trades a celebration of the pioneering artist’s opus for a violent spectacle.

James Fuentes, Asya Geisberg, and Gabrielle Giattino of Bureau have all decamped from their original spaces this month.

Security staffers told Ju-Hyun Park that they could not enter with the white-and-black Palestinian headscarf.

“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brian Johnson explores the decolonial practices of Indigenous and Native American poster designers.

From his fourth-floor Hell’s Kitchen walk-up, the artist talks Catholic icons, tin foil, and memories of fires raging outside the treasured safe space for the queer community in 1960s New York City.

William Chan, an artist, gallerist, and US veteran, was at the Fulton Street station when a woman was pushed onto the tracks by her boyfriend.

Many members of the current generation do not recognize or even know about past efforts to create visibility for Asian-American artists.

The two visitors told Hyperallergic that museum security staff flagged the Palestinian headscarf during a bag check.

Look out for pink dolphins and Louis XIV in this maximalist mini crossword.

Locals believe the work, which aligns with the trimmed limbs of a hedged tree, underscores the current climate crisis.

The Museum of the Moving Image’s annual experimental cinema event features several films that remix archival materials.

A bill that could result in a ban of the platform has moved to the Senate, prompting concerns from content creators who depend on the app.

The exhibition that often acts as a barometer of trends and ideas percolating in global art communities has both hits and misses.

The artist’s perplexing paintings should be viewed not as mere visual puzzles, but instantiations of an occult philosophy.

Mary Tooley Parker takes a folk art form that emerged in the mid-19th century and transforms it into a way of recounting life in the 1960s.

Miss Chief, artist Kent Monkman’s alter ego, narrates the story of Turtle Island not as a settler allegory but from the perspective of the land itself.

More than 1,000 organizers, artists, and film workers gathered to protest what they see as Hollywood's silence and complicity with the Israeli government.

He copyrighted the letter and ended it with “for your eyes only,” as if to say, don’t even think of showing this to anybody.

After a three-year-long restoration project, Lucas the Elder’s iconic 16th-century panels are back on view at the Los Angeles museum.

Night and day converge, fantasy and reality, humans and animals, rigor and play in this exhibition that feels like a transportive and unfettered elsewhere.

Infamous affairs in art history, Harlem Renaissance icons, New York’s beloved escapee owl, and more art clues to puzzle over this month.

Meret Oppenheim’s poetry, Pao Houa Her’s first monograph, the journals of Charles Burchfield, subway art around New York City, and more.

Since antiquity, periods of political uncertainty have generated spurious proclamations of the Antichrist, from Nero to Taylor Swift.

AI images were used to sell tickets to a Chocolate Factory event that should have remained in pure imagination.

The works in Opie’s harmony is fraught are documents that bear witness, but they also highlight the connection between our public and private lives.

As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brianna L. Hernández examines how seven artists reclaim end-of-life traditions in their practice.

In Eveleth's work, debauchery and decadence meet in the lowly doughnut, which we are invited to read as a limbless torso with a dripping orifice.

He believed, and demonstrated, that individuals could ascend to divine realms of knowledge.

The women-led Retrospective section of the Berlinale gives second-wave feminism a fresh look.

In the 19th century ledger drawings became a concentrated point of resistance for Indigenous people, an expression of individual and communal pride.

With her self-portraits, photographer Wawi Navarroza gives us insight into the strong sense of self that can emerge from multiple identities and cultures.

Many of the works in When Forms Come Alive are irredeemably superficial, as colorfully lightweight as they come.

Cathleen Clarke’s haunting paintings of childhood, Sharon Louden’s funhouse-like aluminum artworks, Richard Mosse’s new video installation, and more.