Artists of the silheom misul movement in the 1960s and ‘70s wrestled with an increasingly globalizing, industrializing, and politically censorious Korean art world.
Reviews
The Art World and the American Hustle Meet in Problemista
Julio Torres’s directorial debut takes a fantastical approach to depicting the very real trials of immigration and creative work.
Sonia Delaunay Was Modernism’s Renaissance Woman
With Sonia Delaunay: Living Art, we get to glimpse pockets of the artist’s work across media, and feel her expansive and collaborative production.
The Internationalism of the Harlem Renaissance
The Harlem Renaissance was a globally networked movement of sprawling self-determination energized by the new modalities of Black subjectivity.
A Romp Through the History of Beauty
Asking the question of how beauty is sold or how beauty trends change would be more effective in The Cult of Beauty than aiming for both and answering neither.
A Thoroughly Modern Baroque Master
A suite of paintings by Italian Baroque master Guercino at England’s Waddesdon Manor seems to herald the coming of Christ and a modern future.
The Forgotten History of Bourne and Allen’s Mid-Century Textiles
A new show seeks to restore a pair of modernist weavers to a place of prominence in British design history.
With Less Glitter, Arcmanoro Niles’s Illusory Spaces Gleam
While his paintings follow the rules of linear perspectives, Niles uses the materiality of the paint itself to pull viewers into the compositions.
Must Asian Americans Always Be Seen in Relation to One Another?
Scratching at the Moon hones in on a loose network of artists that have known each other for decades in Los Angeles.
Woody De Othello Combines Sublimation and Supplication
The artist evokes a strong religious sensibility in his hybrid sculptures tempered by a welcome sense of humor.
John Berger Lost His Eyesight to Cataracts and Learned to See
After being afflicted with cataracts, the late critic and novelist reflected on the mechanics of sight.
Jim Dine Gets to Work
For Dine, physical labor and art-making are interchangeable: “When you paint every day, all year long, then the subject is essentially the act of working.”