In Brush of Insight, Yael Rice charts a Mughal “visual economy” thriving between the 16th and early 17th centuries in India.

Artificial Intelligence may efficiently sort images but loses out to a humanistic approach.

Though at times a puzzling read, artist Rasheed Araeen’s latest book critiques Western scholarship that ignores Islam’s influence on modern art.

Local artists invoke nostalgia, probe policymakers, and take aim at public perception to shift attitudes toward natural resources and waste management.

The Artist Who lets readers peer into a postcolonial space through critical engagement and visuals designed to both educate and entertain.

A new publication contextualizes the historical and contemporary book traditions in South Asia.

After reading The Story of Art Without Men, educators may aspire to redesign their art history surveys and syllabi — and trade some Picassos for Gegos.

A new book about object making critically examines a written history of working with materials.

20th Century Indian Art: Modern, Post-Independence, Contemporary surveys the many distinct aspects of art in South Asia.

Contemporary artist studios in Karachi prioritize pragmatism; many resist a traditional understanding of spaces with singular purposes. 

In her current retrospective viewers can see the beginning of an oeuvre that scrutinizes personal, social, and cultural issues such as prescribed societal norms associated with the female gender.

Sikander’s first New York solo show in nine years includes a captivating range of paintings, mosaics, animations, and the artist’s first-ever sculpture.

Love, War & Other Longings offers a thought-provoking analysis of the country’s lesser-known film history, while sketching out aspirations for the industry.

Amid works by international artists and local projects focused on other Pakistani cities, I kept wondering where is Lahore?

In a city where the municipal government has consistently failed to address issues such as land or air pollution, the latest edition of the biennale considers its environmental crisis through various media.

While Mrinalini Mukherjee radically used textiles to negotiate the deep roots of symbolic Indian art and craft, her visual vocabulary sought independence from traditional roles within her culture.

As India prepares for general elections this year, M.F. Husain's "Lightning" reminds us of the country's tremendous political history.

The night of “Ascension,” one Islam’s most mystical and striking themes, has inspired Sikander, whose self-portraits are artistic manifestations of this magical journey.